Bernard Herrmann was arguably the most innovative film composer of the 1940s, '50s, and '60s, even though he actually rejected the term "film composer," preferring to call himself a composer who sometimes wrote film scores. That was an apt description for a musician who, in addition to his film work, also composed works in a variety of other forms including opera, symphony, musical comedy, and concert music, as well as writing extensively for radio and television, while maintaining a concurrent conducting career that found him wielding a baton before major orchestras in New York, London, Los Angeles, and other cities, and in recording studios where he committed many of his compositions and those of other composers to disc. Nevertheless, his greatest fame came as an Academy Award-winning movie scorer who provided background music for 47 feature films released between 1941 and 1976, among them such cinema classics as #Citizen Kane, #Psycho, and #Taxi Driver.
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